February 26th, 2011 by tor
Kathleen Edwards (President, Mistress of Sound) has well over twenty years of professional experience in the music and entertainment business as an audio recordist, sound designer, Foley artist, composer, musician and project manager.
Kathleen began learning the ins-and-outs of music editing through her work with 4-time Emmy Award-winning music editor Gerry Sackman working on Star Trek Voyager and award winning composer Brian Kirk working on JAG, NCIS, Lucky, to name a few.
Since founding Hear Kitty Studios with Tor Kingdon in 2002, she has worked on many, oh so many, diverse projects including ADR recording for hit television series such as Breaking Bad, Better Call Saul, The Night Shift, Manhattan, features such as Sicario, Jane Got Her Gun, etc. on and on…..
She’s designed sound-scapes for feature films ranging from action packed, shoot ’em up, kill ’em dead movies such as Force of Execution starring Steven Seagal, to designing the messages of peace and oneness from the great master Thich Nat Hahn in The Five Powers, an artistic documentary for The American Master’s Series, Dorothea Lange, Grab a Hunk of Lighting, to a hard hitting animated short from the legendary Ralph Bakshi, Last Days of Coney Island.
As a musical production executive and project manager, Kathleen has worked with world-class ensembles such as The San Diego Symphony Orchestra, The San Diego Chamber Orchestra, The Mark Taper Forum/Ahmanson Theater in LA and Walt Disney Studios.
As a musician, she is a violinist who has proven she can play Beethoven as well as the blues, playing with orchestras and bands, too many to count. She was the composer-in-residence for the MYE Theatre Company of Los Angeles and was a violinist with the big band, The Pretty Babies, featuring Zooey Deschanel and Samantha Shelton.
Kathleen was born and raised in Albuquerque, New Mexico, where she learned the love of good music, blue skies and hot green chili. She attended The University of New Mexico, earned a Friends of Music Scholarship, and she studied violin and English Literature.
Tor Kingdon (Chief Sound Guy) has been working with sound for over twenty-five years. Since co-founding HearKitty Studios with Kathleen Edwards in 2002, he has recorded, edited and mixed dialog, voice-over, ADR, Foley, music, and been re-recording mixer on wide variety of projects.
Tor’s recent credits include Foley mixing for the feature film Warm Bodies (2013), dialogue mixing and recording for the Dreamwork’s animated film How to Tame Your Dragon (2010) and ADR mixing for Paramount Picture’s upcoming film The King’s Daughter, starring Pierce Brosnan and William Hurt. His TV credits include ADR mixing on NBC’s The Night Shift (2014 – present), ADR mixing for WGN’s hit series Manhattan (2014 – 2015) and final re-recording mix on the syndicated series Safari Tracks (2005 – 2006).
Tor officially started his sound editing career in Portland, Oregon, doing everything from wiring and sound proofing to audio design and mixing. He moved to Los Angeles in the mid-nineties and honed his post-production sound skills on radio, television advertising, music videos and feature films with a variety of top-notch Los Angeles-based post-production companies, including Margarita Mix, Picture Head, and Pacific Soundwaves. Also during the 1990’s, Tor traveled to Germany, where he worked on American and German films at the famed Studio Babelsberg as supervising sound editor, Foley supervisor, and digital workflow consultant.
Tor grew up in Ann Arbor, Michigan, where he developed an early interest in theatre, music and film. He graduated with honors in Theatre Arts and Communications from Kalamazoo College in 1991, where he focused his studies on scenic design, directing, videography and computer science. Tor fell in love with New Mexico the first time he visited the state in 1990. Years later, he fell in love with Kathleen Edwards, a native New Mexican. They got married in an adobe church in 2002, and proceeded to make plans to move to New Mexico “some day.” That day finally came in the summer of 2006. Tor is very happy to now call Albuquerque his personal, as well as professional, home.
Sorren Kingdon-Edwards (intern) developed an interest in audio in utero.Some of his more innovative early tools included a water glass on wood, the handles of a jump rope and his “ukelady.” More recently he has taken up the cello, sings incessantly and enjoys helping Kat walk Foley. He continues to develop his interest and to branch out his audio capabilities using a variety of audio tools.